Animation Compression Library: Release 0.6.0

Hot off the press, ACL v0.6 has just been released and contains lots of great things!

This release focused primarily on extending the platform support as well as improving the accuracy. Proper Linux and OS X support was added as well as the x86 architecture. As always, the list of supported platforms is in the readme. This was made possible thanks to continuous build integration which has been added and contributed in part by Michał Janiszewski!

Another notable mention is that the backlog and roadmap have been migrated to GitHub Issues. This ensures complete transparency with where the project is going.

Compiler battle royal

Now that we have all of these compilers and platforms supported, I thought it would make sense to measure everything at least once on the full data set from Carnegie-Mellon University.

Another thing I wanted to measure is how much do we gain from hyper-threading and last but not least, I thought it would be interesting to include x86 as well as x64.

Here is my setup to measure:

  • Windows 10 running on an Intel i7-6850K with 6 physical cores and 12 logical cores
  • Ubuntu 16.04 running in VirtualBox with 6 cores assigned
  • OS X running on an Intel i5-4288U with 2 physical cores and 4 logical cores

The script is used to compress multiple clips in parallel in independent processes. Each clip runs in its own process.

Every platform used a Release build with AVX enabled. The wall clock time is the cummulative time it took to run everything: compression, decompression to measure accuracy, reading the clip, writing the stats, etc. On the other hand, the total thread time measures the total sum of time the threads each spent on compression.

Compiler performance

A number of things stand out:

  • x86 is slower for VS 2015 (66.5% slower) , VS 2017 (64.0% slower with 11 cores, 108.8% slower with 3 cores), and Clang 5 (36.0% slower) but it seems to be faster for GCC 5 (10.9% faster)
  • Hyper-threading barely helps at all: going from 6 cores to 11 with VS 2017 was only 7.8% faster but the total thread time increases by 69.9%
  • Clang 5 with x64 wins hands down, it is 25.2% faster than VS 2017 and 220.8% faster than GCC 5

GCC 5 performs so bad here that I am wondering if the default CMake compiler flags for Release builds are sane or if I made a mistake somewhere. Clang 5 really blew me away: despite running in a VM it significantly outperforms all the other compilers with both x86 and x64.

As expected, hyper-threading does not help all that much. When clips are compressed, most of the data manipulated can fit within the L2 or L3 caches. With so little IO made, animation compression is primarily CPU bound. Overall this leaves very little opportunity for a neighbor thread to execute since they hardly ever stall on expensive operations.

Accuracy improvements

As I mentioned when the Paragon data set was announced, some exotic clips brought to the surface some unusual accuracy issues. These were all investigated and they generally fell into one or both of these categories:

  • Very small and very large scale coupled with very large translation caused unacceptable accuracy loss when using affine matrices to calculate the error
  • Very large translations in a long bone chain can lead to significant accuracy loss

In order to fix the first issue, how we handle the error metric was refactored to better allow a game engine to supply their own. This is documented here. Ultimately what is most important about the error metric is that it closely approximates how the error will look in the host game engine. Some game engines use affine matrices to convert the local space bone transform into object or world space while others use Vector-Quaternion-Vector (VQV). ACL now supports both ways to calculate the error and the default we will be using for all of our statistics is the later as it more closely matches what Unreal 4 does. This did not measurably impact the compression results but it did improve the accuracy of the more exotic clips and the overall compression time is faster.

However, the problem of large translations in long bone chains has not been addressed. I compared how the error looked in Unreal 4 and it does a much better job than ACL for the time being on those few clips. This is because they implement error compensation which is something that ACL has not implemented yet. In the meantime, ACL is perfectly safe for production use and if these rare clips with a visible error do pop up, less aggressive compression settings can be used. Only 3 clips within the Paragon data set suffer from this.

Ultimately a lot of the error introduced for both ACL and Unreal 4 comes from the rotation format we use internally: we drop the quaternion W component. This works well enough when its value is close to 1.0 as the square-root used to reconstruct it is accurate in that range but it fails spectacularly when the value is very small and close to 0.0. I already have plans to try two other rotation formats to help resolve this issue: dropping the largest quaternion component and using the quaternion logarithm instead.

Updated stats

While investigating the accuracy issues and comparing against Unreal 4 I noticed that a fix I previously made locally was partially incorrect and in rare cases could lead to bad things happening. This has been fixed and the statistics and graphs for UE 4.15 were updated for CMU and Paragon. The results are very close to what they were before.

The accuracy improvements from this release are a bit more visible on the Paragon data set.

Next steps

At this point, I can pretty confidently say that ACL is ready for production use but many things are still missing for the library to be of production quality. While the performance and accuracy are good enough, iOS support is still missing, support for additive animations is missing, as well as lots of unit testing, documentation, and clean up.

The next release will focus on:

  • Cleaning up
  • Adding lots of unit tests
  • iOS support
  • Better Android support
  • Many other things

Arithmetic Accuracy and Performance

As I mentioned in my previous post, ACL still suffers from some less then ideal accuracy in some exotic situations. Since the next release will have a strong focus on fixing this, I wanted to investigate using float64 and fixed point arithmetic. It is general knowledge that float32 arithmetic incurs rounding and can lead to severe accuracy loss in some cases. The question I hoped to answer was whether or not this had a significant impact on ACL. Originally ACL performed the compression entirely with float64 arithmetic but this was removed because it caused more issues than it was worth but I did not publish numbers to back this claim up. Now we revisit it once and for all.

To this end, the first research branch was created. Research branches will play an important role in ACL. Their aim is to explore small and large ideas that we might not want to support in their entirety in the main branches while keeping them close. Unless otherwise specified, research branches will not be actively maintained. Once their purpose is complete, they will live on to document what worked and didn’t work and serve as a starting point for anyone hoping to investigate them further.

float64 vs float32 arithmetic

In order to fully test float64 arithmetic, I templated a few things to abstract the arithmetic used between float32 and float64. This allowed easy conversion and support of both with nearly the same code path. The results proved somewhat underwhelming:

Float32 VS Float64 Stat Summary

As it turns out, the small accuracy loss from float32 arithmetic has a barely measurable impact on the memory footprint for CMU and a 0.6% reduction for Paragon. However, the compression (and decompression) time is much faster.

With float64, the max error for CMU and Paragon is slightly improved for the majority of the clips but not by a significant margin and 4 exotic Paragon clips end up with a worse error.

Float32 VS Float64 Max Error Distribution

Consequently, it is my opinion that float32 is the superior choice between the two. The small increase in accuracy and reduction in memory footprint is not significant enough to outweigh the degradation of the performance. Even though the float64 code path isn’t as optimized, it will remain slower due to the individual instructions being slower and the increased number of registers needed. It’s possible the performance might be improved considerably with AVX and so this is something we’ll keep in mind going forward.

Fixed point arithmetic

Another popular alternative to floating point arithmetic is fixed point arithmetic. Depending on the situation it can yield higher accuracy and depending on the hardware it can also be faster. Prior to this, I had never worked with fixed point arithmetic. There was a bit of a learning curve but it proved intuitive soon enough.

I will not explain in great detail how it works but intuitively, it is the same as floating point arithmetic minus the exponent part. For our purposes, during the decompression (and part of the compression), most of the values we work with are normalized and unsigned. This means that the range is known ahead of time and fixed which makes it a good candidate for fixed point arithmetic.

Sadly, it differs so much from floating point arithmetic that I could not as easily support it in parallel with the other two. Instead, I created an arithmetic_playground and tried a whole bunch of things within.

I focused on reproducing the decompression logic as close as possible. The original high level logic to decompress a single value is simple enough to include here:

Not quite 1.0

The first obstacle to using fixed point arithmetic is the fact that our quantized values do not map 1:1. Many engines dequantize with code that looks like this (including Unreal 4 and ACL):

This is great in that it allows us to exactly represent both 0.0 and 1.0, we can support the full range we care about: [0.0 .. 1.0]. A case could be made to use a multiplication instead but it doesn’t matter all that much for the present discussion. With fixed point arithmetic we want to use all of our bits to represent the fractional part between those two values. This means the range of values we support is: [0.0 … 1.0). This is because both 0.0 and 1.0 have the same fractional value of 0 and as such we cannot tell them apart without an extra bit to represent the integral part.

In order to properly support our full range of values, we must remap it with a multiplication.

Fast coercion to float32

The next hurdle I faced was how to convert the fixed point number into a float32 value efficiently. I independently found a simple, fast, and elegant way and of course it turned out to be very popular for those very reasons.

For all of our possible values, we know their bit width and a shift can trivially be calculated to align it with the float32 mantissa. All that remains is or-ing the exponent and the sign. In our case, our values are between [0.0 … 1.0[ and thus by using a hex value of 0x3F800000 for exponent_sign, we end up with a float32 in the range of [1.0 … 2.0[. A final subtraction yields us the range we want.

Using this trick with the float32 implementation gives us the following code:

It does lose out a tiny bit of accuracy but it is barely measurable. In order to be sure, I tried exhaustively all possible sample and segment range values up to a bit rate of 16 bits per component. The up side is obvious, it is 14.9% faster!

32 bit vs 64 bit variants

Many variants were implemented: some performed the segment range expansion with fixed point arithmetic and the clip range expansion with float32 arithmetic and others do everything with fixed point. A mix of 32 bit and 64 bit arithmetic was also tried to compare the accuracy and performance tradeoff.

Generally, the 32 bit variants had a much higher loss of accuracy by 1-2 orders of magnitude. It isn’t clear how much this would impact the overall memory footprint on CMU and Paragon. The 64 bit variants had comparable accuracy to float32 arithmetic but ended up using more registers and more instructions. This often degraded the performance to the point of making them entirely uncompetitive in this synthetic test. Only a single variant came close to the original float32 performance but it could never beat the fast coercion derivative.

The fastest 32 bit variant is as follow:

Despite being 3 instructions shorter and using faster instructions, it was 14.4% slower than the fast coercion float32 variant. This is likely a result of pipelining not working out as well. It is entirely possible that in the real decompression code things could end up pipelining better making this a faster variant. Other processors such as those used in consoles and mobile devices also might perform differently and proper measuring will be required to get a definitive answer.

The general consensus seems to be that fixed point arithmetic can yield higher accuracy and performance but it is highly dependent on the data, the algorithm, and the processor it runs on. I can corroborate this and conclude that it might not help out all that much for animation compression and decompression.

Fixed Point Performance

Next steps

All of this work was performed in a branch that will NOT be merged into develop. However, some changes will be cherry picked by hand. In the short term, the conclusions reached here will not be integrated just yet into the main branches. The primary reason for this is that while I have extensive scripts and tools to track the accuracy, memory footprint, and compression performance; I do not have robust tooling in place to track decompression performance on the various platforms that are important to us.

Once we are ready, the fast coercion variant will land first as it appears to be an obvious drop-in replacement and some fixed point variants will also be tried on various platforms.

The accuracy issues will have to be fixed some other way and I already have some good ideas how: idea 1, idea 2, idea 3, idea 4, idea 5.

Animation Compression Library: Paragon Results

While working for Epic to improve Unreal 4’s own animation compression and decompression, I asked for permission to use the Paragon animations for research purposes and they generously agreed. Today I have the pleasure to report the findings from that new data set!

This is significant for two reasons:

  • It allows for extensive stress testing with new data
  • Paragon is a real game with high animation quality

Paragon Official Trailer

Carnegie-Mellon University

Thus far, the Carnegie-Mellon University data set has been the performance benchmark.

The data set contains 2534 clips. Each clip contains an animated character with 44 bones. The version of the data that I found comes from the Unity store where it is distributed in FBX form but sampled at 24 FPS. The total duration of the database is 09h 49m 37.58s. It does not contain any 3D scale and its raw size is 1429.38 MB. It exclusively contains motion capture animation data. It is publicly available and well known within the animation compression research community.

While the database is valuable, it is not entirely representative of all the animation assets that a AAA game might use for a few reasons:

  • Most AAA games today have well over 100 bones per character and sometimes as high as 500
  • The sample rate is lower than the 30 FPS typically used in games
  • Motion capture data is often very noisy
  • Games often animate things other than characters such as cloth, objects, destruction, etc.
  • Many games make use of 3D scale

For these reasons, this data set is wonderful for unit testing and establishing a baseline for comparison but it falls a bit short with what I would ideally like.

You can see how Unreal and ACL compare against it here.


The Paragon data set contains 6558 clips for a total duration of 07h 00m 45.27s and a raw size of 4276.11 MB. As you can see, despite being shorter than CMU, it is about 3x larger in size.

The data set contains among other things:

  • Lots of characters with varying number of bones
  • Animated objects of various shape and form
  • Very short and very long clips
  • Clips with unusual sample rate (as low as 2 FPS!)
  • World space clips
  • Lots of 3D scale
  • Lots of other exotic clips

This is great to stress test any compression algorithm and the results will be very representative of what could be expected in a AAA game.

To extract the animation clips, I used the Unreal 4 animation recompression commandlet and modified it to skip clips that ACL does not yet support (e.g. additive animations). I did my best to retain as many clips as possible. Every clip was saved in the ACL file format allowing a binary exact representation.

Sadly, I am not at liberty to share this data set as I am only allowed to use it under a non-disclosure agreement. All hope is not lost though, Epic has expressed interest in perhaps making a small subset of the data publicly available for research purposes. Stay tuned!


The value of undertaking this quickly became obvious when an exotic clip from the data set highlighted a bug in the variable bit rate selection that ACL used. A fix was made and the results were breathtaking: CMU reduced in size by 19% (and Paragon reduced by 20%)! You can read about it here in my previous blog post.

Three clips stress tested the accuracy of ACL and ended up with an unacceptable error as a result. This will be made evident by the graphs and numbers below. I am hoping to fix a number of accuracy issues in the next ACL release now that I have new data to validate against.

The bugs I found were not exclusively within ACL: two were found and still present in the latest Unreal 4 version. Thankfully, I was able to get in touch with Epic and these should be fixed in a future release.

In order to make the comparison as fair as possible, I had to locally disable the down-sampling variants within the Unreal 4 automatic compression method. One of the two bugs caused these variants to sometime crash. While down-sampling isn’t often selected by the algorithm as the optimal choice for any given clip, disabling it means that compression is faster and possibly a bit larger as a result. Out of the 600 clips I managed to compress before finding the bug, only 3 ended up down-sampled. There are 9 down-sampled variants out of 27 in total (33%).

Bottom line

UE 4.15 took 19h 56m 50.37s single threaded to compress. It yielded a compressed size of 496.24 MB for a compression ratio of 8.62 : 1. The max error is 0.8619cm.

ACL 0.5 took 19h 04m 25.11s single threaded to compress (01h 53m 42.84s with 11 threads). It yielded a compressed size of 205.69 MB for a compression ratio of 20.79 : 1. The max error is 9.7920cm.

On the surface, the compression time remains faster with ACL even with a significant portion of the variants disabled in the Unreal automatic compression. However, the memory footprint is dramatically smaller, a whooping 58.6% smaller! As will be made apparent in the graphs below, once again the maximum error proves to be a poor metric of the true performance: 3 clips have an error above 0.8cm with ACL.

The results in images

All the results and many more images are also on GitHub here for Paragon just like they are for CMU here. I will only show a few selected images in this post for brevity.

Compression ratio distribution

As expected, ACL outperforms Unreal by a significant margin. Some clips on the right are truncated with unusually high compression ratios as high as 900 : 1 for some exotic clips but those are likely very long with little to no animated data and aren’t too interesting or representative.

Max error distribution

Here again ACL outperforms Unreal over the overwhelming majority of the data set. On the right there are a small number of clips that perform somewhat poorly with both compression methods: a total of 101 clips have an error above 0.1cm with ACL and 153 clips for Unreal.

Distribution of the error for every bone at every key frame

As I have previously mentioned, the max clip error is a poor measure of accuracy. Once again the full picture is much better and tells a different story.

ACL continues to shine, crossing the 0.01cm threshold at the 99.23th percentile. Unreal crosses the same threshold at the 89th percentile.

Despite having a maximum error that is entirely unacceptable, it turns out that only 0.77% of the compressed samples (out of 112 million) exceed a sub-millimeter threshold. Aside from the 3 worst offending clips, everything else is cinematic and production quality. Not bad!


As is apparent now, ACL performs admirably in a myriad of scenarios and continues to improve month after month. Real world data now confirms it. Half the memory footprint of Unreal is not insignificant even for a PC or PS4 game: less data to load into memory means faster streaming, less data to transfer means faster game download and installation times, and it can correlate with faster decompression performance too. For many PS4 and XB1 games, 200 MB is perhaps small enough to load them all into memory up front and never stream them from disk afterwards.

As I continue to improve ACL, I will update the graphs and numbers with the latest significant releases. I also expect the improvements that I made to Unreal’s own animation compression over the last few months to be part of a future release and when that happens I will again update everything.

Special thanks to Raymond Barbiero for his very valuable feedback and to the continued support of many others!

Animation Compression Library: Release 0.5.0

Today marks the release of ACL v0.5. Once again, lots of great things were included in this release but three things stand out:

  • Full 3D scale support
  • Android support (tested within Unreal Engine 4.15)
  • A fix to the variable quantization optimization algorithm

The third point in particular needs explaining. Initially, I did not intend to make significant changes in this release to the way compression was done beyond the scale support and whatever fixes Android required. However, while investigating accuracy issues within an exotic clip, I noticed a bug. Upon fixing it (and very unexpectedly), everything kicked into overdrive.

Performance results

On the Carnegie-Mellon University (CMU) data set, the memory footprint reduced by 18.4% with little to no change to the accuracy of the overwhelming majority of clips and a slight accuracy increase to some of them! Sadly, the compression speed suffered a bit as a result and it is now about 1.5x slower than v0.4. In my opinion, this is an entirely acceptable trade-off!

Compared to UE 4.15, ACL now stands 37.8% smaller and 2.82x faster (single threaded) to compress on CMU. No small feat!

In light of these new numbers, all the charts have been updated and can be found here. Here are the most interesting:

Compression ratio distribution

Max error distribution

Distribution of the error for every bone at every key frame

I also extracted two new charts: the distribution of clip durations within CMU and the distribution of which bit rates ended up selected by the algorithm. A bit rate of 6 means that 6 bits per component are used. Every track (rotation, translation, and scale) sample has 3 components (X, Y, Z) which means 18 bits per sample.

Clip duration distribution

Bit rate distribution

Next steps

The focus of the next few months will be more platform support (Linux, OS X, and iOS in that order) as well as improving the accuracy. A new data set I got my hands on showed edge cases that are not too uncommon from real video games where the accuracy is not good enough. Part of the accuracy loss comes from storing the segment range on 8 bits per component and the fact that we use 32 bit floats to perform the decompression arithmetic. As such, a new research branch will be created to investigate using 64 bit floats to perform the arithmetic and a fixed point represetation as well. A separate blog post will be written with the conclusion of this research.

Animation Compression Library: Unreal 4 Integration

As mentioned in my previous post, I started working on integrating ACL into Unreal 4.15 locally. Today I can finally confirm that not only does it work but it rocks!

Matinee fight scene

In order to stress test ACL in a real game engine with real content, I set out to test it on the Matinee fight scene that can be found on the Unreal 4 Marketplace.

ACL in action

This is a very complex sequence with fast movements and LOTS of data. The main character (the white trooper) has over 540 bones because the whole cloth motion is baked. The sequence lasts about 66 seconds. The secondary characters move in and out of view and overall spend the overwhelming majority of the sequence completely idle and off screen.

Here is a short extract of the sequence using ACL for every character. This marks the first visual test and confirmation that ACL works.

The data

The video isn’t too interesting but once again the numbers tell a story of their own. Packaged As Is is the default settings used when you first open it up in the editor, as packaged on the marketplace. For ACL, the integration is somewhat dirty for now and uses the same settings as for the CMU database: the error is measured 3cm away from the bones, the error threshold is 0.1mm, and the segments are 16 frames long.

Matinee fight scene stats

ACL completely surpassed my own expectations here. The whole sequence is 59.5% smaller! The main trooper is a whopping 64.5% smaller! That’s nearly 3x smaller! Compression time is also entirely reasonable sitting at just over 1 minute. While the packaged settings are decent here sitting at around 5 minutes, the automatic compression setting is not practical with almost 3 hours. The error shown is what Unreal 4 reports in the dialog box after compression, it thus uses the Unreal 4 error metric and here again we can see that ACL is superior.

However, ACL does not perform as good on the secondary characters and ends up significantly larger. This is because they are mostly idle. Idle bones compress extremely well with linear key reduction but because ACL uses short segments, it is forced to retain at least a single key per segment. With some sort of automatic segment partitioning the memory footprint could reduce quite a bit here or even by simply using larger segments.

What happens now?

The integration that I have made will not be public or published for quite some time. Until we reach version 1.0, I wouldn’t want to support actual games while I am still potentially making large changes to the library. Once ACL is production ready and robust, I will see with Epic how we can go about making ACL a first-class citizen in their engine. In the meantime, I will maintain it locally and use it to test and validate ACL on the other platforms supported by Unreal.

For the time being, all hope is not lost! For the past 2 months, I have been working with Epic on improving the stock Unreal 4 animation compression. Our primary focus has been to improve decompression speed and reduce the compression time without compromising the already excellent memory footprint and accuracy. If all goes well these changes should make it in the next release and once that happens, I will update the relevant charts and graphs published here as well as in the ACL documentation.